Poster Designs / Sixties – Jan Brychta. The Story of Film Posters.

Film posters in history. Sixties poster designs.

Poster Designer / Jan Brychta

Book Illustration / Caricature / Film Animation / Painting

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Karel Čapek, 60s movie poster
Jan Brychta’s poster design for movie adaptation of Karel Čapek’s novel, 1964.

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  • 11th of May 1928, Mladá Boleslav, Czech Republic
  • 14th of November 2013, London (?), United Kingdom
  • lived in London exile since 1968

Education:

  • State Graphic School, Prague (Zdeněk Balaš, Josef Vodrážka)
  • 1945 – 19.., Academy of Arts, Architecture and Design in Prague (Josef Kaplický, Antonín Pelc)

Exhibitions:

  • from late 1950s until 1968 mostly Prague exhibitions
  • Surrealism Unlimited 1968 – 1978, Camden Arts Centre, London 1978

Awards for Film Animation:

  • The main prize in the category of animated films, Oberhausen 1966
  • The prize of the union of cinema owners, Oberhausen 1966
  • Grand Prix “Bronze Caesar”, Tours 1966

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In 1968 Jan Brychta vanished off the face of the earth and that is the fact. Russian occupation of Czechoslovakia in 1968 brought in many immediate changes within the state. Political trials were about to return back to fashion and not everyone was waiting for the resume. Or at least Jan Brychta did not.

It would be hard to say what made such a successful artist leave his homeland, as Jan Brychta’s art was everywhere and available to everyone in all possible forms. From beautifully illustrated books, film animations to caricatures in daily newspaper and television graphics / adverts. Simply put 1960s daily life was somehow incomplete without Jan Brychta.

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Excellent minimal poster art
Five Minutes to Seven movie poster by Jan Brychta, 1965.

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It is fascinating to watch how with short step in time and history someone so publicly pleasing can become persona non grata. Researching many years later it really looks that party members did a great job. There was no Jan Brychta after 1968 in Czechoslovakia and same for his wife Lída Brychtová (artist and book illustrator) as they managed to escape the country together with their children Edita and Aleš.

Through out his Czechoslovak career as a daily caricaturist, film animator and pioneer of television graphics Jan Brychta was never far away from the movie poster. His rapid illustration and excellent story telling could be easily applied to the discipline. As a surreal artist and two dimensional painter use of a collage and illustration was a natural choice. His portfolio ends with his disappearance in late 1960s. Jan Brychta’s posters are absolute pleasure to look at and it is real pity it does not contain more than ten movie posters. The master of many techniques with only one common goal which was to keep everyone amused.

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Our Household, Family Guide Book, Illustration Jan Brychta
Our Household, third volume of the annual guide for modern family illustrated by Jan Brychta, 1963.

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British audience could recognise Jan Brychta’s illustration thanks to BBC children’s television series Jackanory.

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Jan Brychta, TV Graphics, 1960s Design
Television graphics by Jan Brychta, Adolf Born and other pioneers of 1960s TV visuals.

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Note: this showcase is part of our ongoing article Film posters / Made in Czechoslovakia. The story of film posters.

Available film posters by Jan Brychta.

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Resources:

Literature:

  • plenty with zero results

Online:

  • abArt / Jan Brychta
  • Krátky Film, Praha / Short Film, Prague. Archive of Jan Brychta’s 1960s animated films.

Images used:

  • Collective authors: Záznamník – Naše Domácnost 3 / Family Guide Jotter – Our Household Vol.3. Obchodní Tiskárny, Praha, 1963. Cover and inner pages of the book.
  • Film a Doba 1 / Film and Times 1 / Bratislava City Gallery, 1965. Magazine spread out.

Additional research:

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Similar Posts

  • Poster Designs / Sixties – Antonín Dimitrov. The Story of Film Posters.

    Film posters in history. Sixties poster designs.

    Poster Designer / Antonín Dimitrov

    Graphic Art / Painting / Set Design / Typography

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    Collage poster, The Cremator, 60s Poster art
    The Cremator movie poster by Antonín Dimitrov, 1968.

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    • b. 27th February 1928, Mšecké Žehrovice/Rakovník, Czech Republic
    • d. 27th December 2014, Bobcaygeon, Canada
    • lived in Canadian exile from 1968

    Education:

    • 1945 – 1953, Academy of Arts, Architecture and Design in Prague (Antonín Strnadel)

    Exhibitions:

    • until 1968 mostly Prague exhibitions
    • Toronto, Royal Canadian Academy of Arts (member), Canada, 1991
    • London / United Kingdom

    ***

    In few of our recent articles we have discussed absurdity and inappropriate behaviour of Communist leaders. Terrifying act of those in power and their constant fight towards fictional enemy was very systematical. In country as small as Czechoslovakia it was not impossible to succeed.

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    Film poster, Four in a Circle, Collage poster
    Four in a Circle movie poster by Antonín Dimitrov, 1967.

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    Similarly to Jan Brychta, Antonín Dimitrov’s profile was simply deleted. Second successful attempt of leaving the country in 1968 took Antonín Dimitrov with his wife Olga to Canada. His first try when he and his soul mate swam across the river Danube to neighbouring Austria, just to get caught and handed in to Russian soldiers, cost him several years in prison and forced labor.

    Before their disappearance, Antonín Dimitrov and his wife worked professionally as a set and costume designers in various theatres across the country. Antonín’s rebellious nature has been proved several times. Exclusion from the Art Academy for his incorrect political views (note: even the students had to be the members of Communist party. Same applied to parents, if there was a non member in the family, studying at higher education was impossible. Not talking of grand parents.) and his unsuccessful immigration right after that are only few examples of his misbehaviour.

    ***

    Vintage movie Poster, Antonin Dimitrov
    Sign of the Cancer movie poster by Antonín Dimitrov, 1967.

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    His collaboration with Czechoslovak New Wave directors, specially with Juraj Herz must have also spiced the soup up. Juraj Herz’s Cremator was the movie Communist could not swallow, similarly to other two titles in the showcase. In cases when the Communists decided to ban the movie everything would go off the shelf. Film director, author of the script / writer and the same destiny would meet the film poster.

    Movie posters of Antonín Dimitrov are reflecting the times utterly. His posters are incredibly attractive, no matter if he touches the scissors or the paint brush. Excellent typographer and master of the blend, his virtues are sensibly hidden mostly in the collage. His posters are missing on one thing, there are only very few of them. He possibly did not design more than ten movie posters.

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    Documentary Poster, 1970s Poster Art
    Masters of Congo Jungle movie poster by Antonín Dimitrov, 1967.

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    Even though Antonín Dimitrov luckily led succesful life in the exile. As a set designer he and his wife worked on numerous theatre and opera productions. He was also head of the design programme at the prestigious Indiana University School of Music in Bloomington, Indiana[^1] . But for Czechoslovak film poster his departure was a great loss. Many fascinating artists remained and learn how to overcome the situation, while building one of the most impressive poster archive in design history. It would be truly interesting to see what else could Antonín Dimitrov pull out of that hat.

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    Surreal Poster, 1960s Poster Art
    The Limping Devil movie poster by Antonín Dimitrov, 1968.

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    Note: this showcase is part of our ongoing article Film posters / Made in Czechoslovakia. The story of film posters.

    Available posters by artist or other fascinating film posters designed for Czechoslovak New Wave.

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    Resources:

    Literature:

    • plenty with zero results

    Online:

    • abArt / Antonín Dimitrov / Big thanks to abArt for their research on invisible.
    • Royal Canadian Academy of Arts / list of members since 1880
    • [^1]:  Obituary of Antonin Dimitrov, Hendren Funeral Homes, Norwood and Bobcaygeon, Ontario / it is sad when only biography on artist can be found in his obituary.  Beautifully written, one should take a look.

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  • Poster Designs / Sixties – Stanislav Duda. The Story of Film Posters.

    Film posters in history. Sixties poster designs.

    Poster Designer / Stanislav Duda

    Animation / Applied Arts / Book Illustration / Graphic Art

     

    1960s Vintage Movie Poster, Among Us Thieves
    Movie poster Among Us Thieves / Stanislav Duda, 1963

     

    • b. 2nd July 1921, Ostrava, Czech Republic [^1]
    • 2008, Czech Republic

    Education:

    • 1941 – 1947, Academy of Arts, Architecture and Design in Prague (Antonín Strnadel)

    Art groups:

    Exhibitions (selected):

    • 1954 – 1958 Group exhibitions, Bilance
    • 1956 – Exhibitions of Graphic Artists from Czechoslovakia. Poznan, Moscow, Warszaw [^3]
    • 1958 – EXPO. Brussels, Belgium
    • 1965 – Plakate aus der Tschechoslowakei. Munich, West Germany [^4]
    • 1959 – 1969 Ontario, Wien, Hamburg, Karlovy Vary, Bochum, Koln, Tolentino, London
    • 1967 – Contemporary Czechoslovak Poster. Olomouc, Czech Republic
    • 1964/1970/1972/1976/1980 – Brno Biennials, Czech Republic

    Awards (selected):

    • 1964 − Applied Arts Prize. 1st Biennials of Czechoslovak Poster and Applied Arts. Brno, Czech Republic
    • 1968 – Prize for Installation. XVI. Triennale, Milano, Italy [^5]
    • 1985 – Jiří Trnka Prize for animation Omalovánky / Colouring Books. Czech Republic
    • 1986 − 1st Prize for animation. Chicago Film Festival, USA

    Awarded posters:

    • 1964 – Honourable mention for Harold Lloyd in his best Comedies movie poster (bellow). International Film Festival, Karlovy Vary, Czech Republic [^6]
    • 1965 − 1st Prize for The Haunted Castle / Strašidla ze Spessartu movie poster. Filmplakat Wien, Austria
    • 1984 – Silver Hugo for Dead Men Don’t Wear Plaid movie poster. Chicago Film Festival, USA

     

    Stanislav Duda's Movie posters
    Harold Lloyd in His Best Comedies, 1963 / The King of Kings, 1963. Exhibition catalogue excerpt, Munich, 1965.

     

    Welcome to the humorous world of Stanislav Duda, possibly one of the longest lasting poster designer Czechoslovakia had on offer. His poster activities are dating to late 40s, where he gained several awards for his commercial poster designs. [^7]  Stanislav Duda begins to work professionally right after his graduation as graphic designer in Centrotex company (import / export of mostly textile products) where he stayed until 1953. From then onwards he works on his own as freelancer. He takes part in several group exhibitions representing graphic art from Czechoslovakia and also participates on International Exposition in Brussels (EXPO 58), where Czechoslovakia won prize for the best pavilion.

     

    By the beginning of 1960s when Stanislav Duda started designing movie posters he was already well established graphic artist. Not sure if it was just by mere coincidence or because of his personal character, but it seems that majority of his 1960s movie posters were designed mostly for grotesque comedy (most of the posters shown in the article). Parallel to his illustrated caricatures that could be seen in several popular periodicals or art magazines, one can suggest that circumstances were working in his favour.

     

    When Comedy Was King Movie Poster
    When Comedy Was King / Stanislav Duda, 1965. Brno Biennials catalogue excerpt, 1970.

     

    It is interesting to observe artist’s development through out his career. Stanislav Duda remained faithful to drawing all the way to mid 1980s. Apart of occasional use of very simple collage (Bewitched Love, 1969 (bellow) / Dead Men Don’t Wear Plaid, 1985) or his phenomenal movie poster for Francois Truffaut’s Day for Night (great example of his graphical abilities) he was focused mainly on illustration and experimented a lot with fonts and colour. Eventually he also takes control over typography and masters everything in very unique almost childish quality of naive artist as can be seen in his later poster designs.

     

    60s poster, Bewitched love, Excellent movie poster
    Movie poster Bewitched Love / Stanislav Duda, 1969.

     

    Stanislav Duda was author of several animated films and illustrated a good number of books for both children and adults. His work brought him a world recognition in pretty much everything he has touched. He has designed around thirty movie posters all with genuine signature and obtained some important movie poster awards.

    Note: this showcase is part of our ongoing article Film posters / Made in Czechoslovakia. The story of film posters.

    Many other magnificent posters by Stanislav Duda can be observed in our movie poster archive.

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    The Haunted Castle, Award Winning Movie Poster,
    The Haunted Castle movie poster designed by Stanislav Duda, 1961.

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    Resources:

    Literature:

    • II. Bienále Užité Grafiky Brno ’66, Medzinárodní Výstava Knižní Grafiky a Ilustrace, Moravská Galerie v Brně. / 2nd Biennale of Graphic Design Brno ’66, The International Exhibition of Book Graphics and Illustrations, Moravian Gallery Brno, 1966
    • [^3]:[^5]: IV. Bienále Užité Grafiky Brno 1970, Medzinárodní Přehlídka Plakátu a Propagační Grafiky, Moravská Galerie v Brně. / 4th Biennale of Graphic Design Brno 1970, The International Exhibition of Poster and Promotional Graphics, Moravian Gallery Brno, 1970 (p.41)
    • V. Bienále Užité Grafiky Brno 1972, Medzinárodní Výstava Ilustrace a Knižní Grafiky, Moravská Galerie v Brně. / 5th Biennale of Graphic Design Brno 1972, The International Exhibition of Illustrations and Book Graphics, Moravian Gallery Brno, 1972
    • VII. Bienále Užité Grafiky Brno 1976, Mezinárodní výstava ilustrace a knižní grafiky, Moravská Galerie v Brně. / 7th Biennale of Graphic Design Brno 1976, The International Exhibition of Illustrations and Book Graphics, Moravian Gallery Brno, 1976
    • IX. Bienále Užité Grafiky Brno 1980, Medzinárodní Výstava Ilustrace a Knižní Grafiky, Moravská Galerie v Brně. / 9th Biennale of Graphic Design 1980, The International Exhibition of Illustrations and Book Graphics, Moravian Gallery Brno, 1980
    • [^6]:Současná světová grafika, Deset brněnských bienále / The World Graphic Design at the Ten Brno Biennials, Jiří Hlušička. Odeon, Praha, 1985 (p.272)
    • [^7]: 1948, 1949, 1955 – 1st, 2nd & 3rd Prize for commercial poster design. IV. Bienále Užité Grafiky Brno 1970, Medzinárodní Přehlídka Plakátu a Propagační Grafiky, Moravská Galerie v Brně. / 4th Biennale of Graphic Design Brno 1970, The International Exhibition of Poster and Promotional Graphics, Moravian Gallery Brno, 1970 (p.41)
    • [^4]: Exhibition Catalogue: Plakate aus der Tschechoslowakei / Posters from the Czechoslovakia. Münchner Stadstmuseum, Munich, West Germany, 16.2 − 20.3. 1965. Texts: Alena Adlerová & Johanna von Herzogenberg.

    Online:

    • [^1]: abArt / Stanislav Duda / Most of the biographical details are coming from AbArt’s archive unless otherwise referred.
    • [^2]:  AbArt  / Group of Artists and Graphic Designers established in Prague between 1957 − 1968. Main activities were exhibitions of group members in Czechoslovakia and abroad.
    • Article about exhibition Plakate aus der Tschechoslowakei / Posters from the Czechoslovakia, Munich, West Germany (1965) was printed in Gebrauchsgraphik Magazine, January/1965 and is available thanks to International Advertising & Design DataBase (pages 46-60).
    • Centrotex / cs.wikipedia.org

    Images used:

    • Harold Lloyd in His Best Comedies, 1963 / The King of Kings, 1963. Exhibition Catalogue: Plakate aus der Tschechoslowakei / Posters from the Czechoslovakia. Münchner Stadstmuseum, Munich, West Germany, 16.2 − 20.3. 1965. Texts: Alena Adlerová & Johanna von Herzogenberg
    • When Comedy Was King / Stanislav Duda, 1965.Exhibition Catalogue: IV. Bienále Užité Grafiky Brno 1970, Medzinárodní Přehlídka Plakátu a Propagační Grafiky, Moravská Galerie v Brně. / 4th Biennale of Graphic Design Brno 1970, The International Exhibition of Poster and Promotional Graphics, Moravian Gallery Brno, 1970 (p. 145)

    ***

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  • Poster Sale / Made in Czechoslovakia / October Sale

    Poster Sale with 22% off your basket.

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    You can also tell your friends by sharing this link (bellow).

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    Poster Sale. VIntage movie posters.
    Poster Sales. 22% off your basket. Type – poster art – in coupon field when checking out.

    Jan Kubíček‘s film poster Daddy, Buy me a Puppy, 1964 was used in the image above.

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  • Poster Designs / Sixties – Vladimír Bidlo. The Story of Film Posters.

    Film posters in history. Sixties poster designs.

    Poster Designer / Vladimír Bidlo

    Painting / Graphic Art / Illustration

    Vladimír Bidlo, Sweet Bird of Youth, Original Film Poster
    Sweet Bird of Youth movie poster by Vladimír Bidlo, 1962.
    • 19th of October 1926, Kouřim, Czech Republic
    • 1997, Prague, Czech Republic

    Education:

    • 1945−1950, State Graphic School, Prague
    • 1945−1950, Charles University, Prague (Faculty of Pedagogy / Art?)
    • 1945−1950, Academy of Arts, Architecture and Design in Prague (prof. F. Tichý)

    ***

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    We believe poster design for Miloš Forman’s The Firemen’s Ball had to resonate together with the film on its premiere in Cannes 1968, poster depicts the film perfectly. Too controversial for the Communists, film was banned and reappeared again by the end of the 1980s, same for the poster. Film posters created for majority of banned films were designed by the most appealing artists of the time. It is hard to tell if designing of film posters for censored movies had any effect on their future art profession. Vladimír Bidlo’s main focus laid on book illustration and after producing several dozens of excellent film posters he fully returned to that.

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    Note: Artist’s showcase is part of our ongoing article Film posters / Made in Czechoslovakia. The story of film posters..

    Available film posters by Vladimír Bidlo.

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    Resources:

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  • Movie posters by Jaroslav Fišer and his collaboration with Věra Chytilová

    Poster art by Jaroslav Fišer for Věra Chytilová’s films.

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    Jaroslav Fišer studied at the Technical University in Prague and at the Academy of Arts, Architecture and Design, Prague, former Czechoslovakia. During 1959 – 1987 Jaroslav Fišer designed 104 movie posters and his poster for film The Apple Game won a Silver Hugo at the International Film Festival in Chicago, USA.

    BFI’s tribute to the director is organised in collaboration with Czech Centre, London and Czech National Film Archive and is on from 1st March – 17th March 2015.

    Movie posters designed for Věra Chytilová’s films:

    Selection of movie posters by Jaroslav Fišer:

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